Master the Skills of Stage Lighting in the Party Event

In order to give full play to the functions of stage lighting, to master its technical skills and improve its artistic quality, it is quite important to explore the modeling elements of stage lighting. In-depth analysis of stage lighting elements from a psychological point of view is more conducive to truly mastering the language laws of lighting, improving the success rate of designers' creation, and avoiding the blindness of creation.

The party event is a long-lasting artistic film and television. The event has a clear theme, rich content and novel forms, which are very popular among the audience. The stage lighting of the party event has a great influence on the party. The stage lighting products has an important role in enhancing the atmosphere of the event production and improving the stage setting.

Stage lighting is good or not depending on whether the lighting equipment is advanced, lighting angle, and reasonable use of composition light. Whether the DJ party lighting is successful or not depends on whether it gives the audience a sense of reality. Stage lighting designers use different lighting methods to handle various lights (moving head lights, led par light, led bar lights, led strobe etc.), orientation and brightness, which can achieve the desired artistic effect, and appeal to the program content and characters.

Stage lighting is generally required to deal with the following five characteristics:

First, clarify the purpose of stage lighting. The light should be adjusted according to the director's requirements for the program and the need for camera lens assembly.

Second, pay attention to the effect of lighting. Not only should the atmosphere of the picture be emphasized, but also the color and mood should be consistent with the requirements of the program content.

Third, the rationality of laying lights. The position, angle, direction and brightness of the lights should be conducive to reflect the realism of the scenery.

Fourth, grasp the procedural nature of lighting. In principle, the big scene will be distributed with scene light first, and then with the main light. For small scenes, first set the main light, and then adjust the background light.

Fifth, check the integrity of the light during the trial recording. Avoid or eliminate the effects of shadows, shading of scenes and overlapping lights and artificial expansion of shadow areas.